Art Station Dubulti offers exhibitions, talks, guided tours, workshops, and creative events.
Art Station Dubulti offers exhibitions, talks, guided tours, workshops, and creative events.
Upcoming
Upcoming
Artist talk in the exhibition "DOLLHELL", artist Jānis Mitrēvics and curator Inga Šteimane.
15.03.2026. 14.00
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‘A Doll. A hellish doll. A doll hell. We usually play with dolls. The games may differ, but the doll is an extraordinarily accommodating model,’ says Jānis Mitrēvics. In Mitrēvics’ work, the world flashes past as a kaleidoscope of events and regulations, endlessly shaken by time into ever-new configurations. The painterly language is expansive and gestural, built on soft fields and classical colour relationships, yet nervous in its contrasts of darkness and light – dazzling, destabilising, refusing to settle.
‘A Doll. A hellish doll. A doll hell. We usually play with dolls. The games may differ, but the doll is an extraordinarily accommodating model,’ says Jānis Mitrēvics. In Mitrēvics’ work, the world flashes past as a kaleidoscope of events and regulations, endlessly shaken by time into ever-new configurations. The painterly language is expansive and gestural, built on soft fields and classical colour relationships, yet nervous in its contrasts of darkness and light – dazzling, destabilising, refusing to settle.
Artist talk in the exhibition "DOLLHELL", artist Jānis Mitrēvics and curator Inga Šteimane.
14.03.2026. 14.00
+ Read more
‘A Doll. A hellish doll. A doll hell. We usually play with dolls. The games may differ, but the doll is an extraordinarily accommodating model,’ says Jānis Mitrēvics. In Mitrēvics’ work, the world flashes past as a kaleidoscope of events and regulations, endlessly shaken by time into ever-new configurations. The painterly language is expansive and gestural, built on soft fields and classical colour relationships, yet nervous in its contrasts of darkness and light – dazzling, destabilising, refusing to settle.
‘A Doll. A hellish doll. A doll hell. We usually play with dolls. The games may differ, but the doll is an extraordinarily accommodating model,’ says Jānis Mitrēvics. In Mitrēvics’ work, the world flashes past as a kaleidoscope of events and regulations, endlessly shaken by time into ever-new configurations. The painterly language is expansive and gestural, built on soft fields and classical colour relationships, yet nervous in its contrasts of darkness and light – dazzling, destabilising, refusing to settle.
Past
Past
Artist talk in the exhibition "DOLLHELL", artist Jānis Mitrēvics and curator Inga Šteimane.
01.03.2026. 14.00
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‘A Doll. A hellish doll. A doll hell. We usually play with dolls. The games may differ, but the doll is an extraordinarily accommodating model,’ says Jānis Mitrēvics. In Mitrēvics’ work, the world flashes past as a kaleidoscope of events and regulations, endlessly shaken by time into ever-new configurations. The painterly language is expansive and gestural, built on soft fields and classical colour relationships, yet nervous in its contrasts of darkness and light – dazzling, destabilising, refusing to settle. OPENING PHOTO - Jānis Deinats.
‘A Doll. A hellish doll. A doll hell. We usually play with dolls. The games may differ, but the doll is an extraordinarily accommodating model,’ says Jānis Mitrēvics. In Mitrēvics’ work, the world flashes past as a kaleidoscope of events and regulations, endlessly shaken by time into ever-new configurations. The painterly language is expansive and gestural, built on soft fields and classical colour relationships, yet nervous in its contrasts of darkness and light – dazzling, destabilising, refusing to settle. OPENING PHOTO - Jānis Deinats.
Opening. Jānis Mitrēvics. DOLLHELL
26.02.2026. 17.00
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At the core of the exhibition stands a doll derived from an industrially manufactured toy. This image refers humanity. ‘A Doll. A hellish doll. A doll hell. We usually play with dolls. The games may differ, but the doll is an extraordinarily accommodating model,’ says Jānis Mitrēvics. The figure of the doll appears in paintings, the artist’s principal medium, and, for the first time in his practice, in porcelain sculpture. OPENING PHOTO - Didzis Grodzs.
At the core of the exhibition stands a doll derived from an industrially manufactured toy. This image refers humanity. ‘A Doll. A hellish doll. A doll hell. We usually play with dolls. The games may differ, but the doll is an extraordinarily accommodating model,’ says Jānis Mitrēvics. The figure of the doll appears in paintings, the artist’s principal medium, and, for the first time in his practice, in porcelain sculpture. OPENING PHOTO - Didzis Grodzs.
Artist talk with Vidvuds Zviedris in his solo exhibition "Once grass was blue and skies were green"
14.12.2025. 14.00
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What happens to our psyche when violence becomes ubiquitous, almost mundane, when we keep seeing it and cannot stop it? Why does it keep returning – despite all our vehement declarations of “never again”?
What happens to our psyche when violence becomes ubiquitous, almost mundane, when we keep seeing it and cannot stop it? Why does it keep returning – despite all our vehement declarations of “never again”?
Artist talk with Vidvuds Zviedris in his solo exhibition "Once grass was blue and skies were green"
29.11.2025. 14.00
+ Read more
What happens to our psyche when violence becomes ubiquitous, almost mundane, when we keep seeing it and cannot stop it? Why does it keep returning – despite all our vehement declarations of “never again”?
What happens to our psyche when violence becomes ubiquitous, almost mundane, when we keep seeing it and cannot stop it? Why does it keep returning – despite all our vehement declarations of “never again”?
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