Art Station Dubulti offers exhibitions, talks, guided tours, workshops, and creative events.
Art Station Dubulti offers exhibitions, talks, guided tours, workshops, and creative events.
Upcoming
Upcoming
Artist talk in the exhibition "MONUMENTS", artist Gļebs Panteļejevs and curator Inga Šteimane.
14.06.2026. 14.00
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Sculptor Gļebs Panteļejevs opens his solo exhibition "Monuments" with new sculptures and an euphoric installation. "At its heart, it’s a question about freedom and illusion. The first floor will hold a huge butterfly-tank – a Corten steel sculpture titled Butterfly Effect. Then the very same form reappears upstairs, but at a different scale and in completely different materials: polyurethane foam and paint. Exactly the same shape, yet it creates a completely different experience. That’s actually a key idea in the exhibition," says the artist.
Sculptor Gļebs Panteļejevs opens his solo exhibition "Monuments" with new sculptures and an euphoric installation. "At its heart, it’s a question about freedom and illusion. The first floor will hold a huge butterfly-tank – a Corten steel sculpture titled Butterfly Effect. Then the very same form reappears upstairs, but at a different scale and in completely different materials: polyurethane foam and paint. Exactly the same shape, yet it creates a completely different experience. That’s actually a key idea in the exhibition," says the artist.
Opening. Gļebs Panteļejevs. MONUMENTS
12.06.2026. 18.00
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Sculptor Gļebs Panteļejevs opens his solo exhibition "Monuments" with new sculptures and an euphoric installation. "At its heart, it’s a question about freedom and illusion. The first floor will hold a huge butterfly-tank – a Corten steel sculpture titled Butterfly Effect. Then the very same form reappears upstairs, but at a different scale and in completely different materials: polyurethane foam and paint. Exactly the same shape, yet it creates a completely different experience. That’s actually a key idea in the exhibition," says the artist.
Sculptor Gļebs Panteļejevs opens his solo exhibition "Monuments" with new sculptures and an euphoric installation. "At its heart, it’s a question about freedom and illusion. The first floor will hold a huge butterfly-tank – a Corten steel sculpture titled Butterfly Effect. Then the very same form reappears upstairs, but at a different scale and in completely different materials: polyurethane foam and paint. Exactly the same shape, yet it creates a completely different experience. That’s actually a key idea in the exhibition," says the artist.
Past
Past
Artist talk in the exhibition "DOLLHELL", artist Jānis Mitrēvics and curator Inga Šteimane.
12.04.2026. 14.00
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‘A Doll. A hellish doll. A doll hell. We usually play with dolls. The games may differ, but the doll is an extraordinarily accommodating model,’ says Jānis Mitrēvics. In Mitrēvics’ work, the world flashes past as a kaleidoscope of events and regulations, endlessly shaken by time into ever-new configurations. The painterly language is expansive and gestural, built on soft fields and classical colour relationships, yet nervo
‘A Doll. A hellish doll. A doll hell. We usually play with dolls. The games may differ, but the doll is an extraordinarily accommodating model,’ says Jānis Mitrēvics. In Mitrēvics’ work, the world flashes past as a kaleidoscope of events and regulations, endlessly shaken by time into ever-new configurations. The painterly language is expansive and gestural, built on soft fields and classical colour relationships, yet nervo
Artist talk in the exhibition "DOLLHELL", artist Jānis Mitrēvics and curator Inga Šteimane.
15.03.2026. 14.00
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‘A Doll. A hellish doll. A doll hell. We usually play with dolls. The games may differ, but the doll is an extraordinarily accommodating model,’ says Jānis Mitrēvics. In Mitrēvics’ work, the world flashes past as a kaleidoscope of events and regulations, endlessly shaken by time into ever-new configurations. The painterly language is expansive and gestural, built on soft fields and classical colour relationships, yet nervous in its contrasts of darkness and light – dazzling, destabilising, refusing to settle.
‘A Doll. A hellish doll. A doll hell. We usually play with dolls. The games may differ, but the doll is an extraordinarily accommodating model,’ says Jānis Mitrēvics. In Mitrēvics’ work, the world flashes past as a kaleidoscope of events and regulations, endlessly shaken by time into ever-new configurations. The painterly language is expansive and gestural, built on soft fields and classical colour relationships, yet nervous in its contrasts of darkness and light – dazzling, destabilising, refusing to settle.
Artist talk in the exhibition "DOLLHELL", artist Jānis Mitrēvics and curator Inga Šteimane.
14.03.2026. 14.00
+ Read more
‘A Doll. A hellish doll. A doll hell. We usually play with dolls. The games may differ, but the doll is an extraordinarily accommodating model,’ says Jānis Mitrēvics. In Mitrēvics’ work, the world flashes past as a kaleidoscope of events and regulations, endlessly shaken by time into ever-new configurations. The painterly language is expansive and gestural, built on soft fields and classical colour relationships, yet nervous in its contrasts of darkness and light – dazzling, destabilising, refusing to settle.
‘A Doll. A hellish doll. A doll hell. We usually play with dolls. The games may differ, but the doll is an extraordinarily accommodating model,’ says Jānis Mitrēvics. In Mitrēvics’ work, the world flashes past as a kaleidoscope of events and regulations, endlessly shaken by time into ever-new configurations. The painterly language is expansive and gestural, built on soft fields and classical colour relationships, yet nervous in its contrasts of darkness and light – dazzling, destabilising, refusing to settle.
Artist talk in the exhibition "DOLLHELL", artist Jānis Mitrēvics and curator Inga Šteimane.
01.03.2026. 14.00
+ Read more
‘A Doll. A hellish doll. A doll hell. We usually play with dolls. The games may differ, but the doll is an extraordinarily accommodating model,’ says Jānis Mitrēvics. In Mitrēvics’ work, the world flashes past as a kaleidoscope of events and regulations, endlessly shaken by time into ever-new configurations. The painterly language is expansive and gestural, built on soft fields and classical colour relationships, yet nervous in its contrasts of darkness and light – dazzling, destabilising, refusing to settle. OPENING PHOTO - Jānis Deinats.
‘A Doll. A hellish doll. A doll hell. We usually play with dolls. The games may differ, but the doll is an extraordinarily accommodating model,’ says Jānis Mitrēvics. In Mitrēvics’ work, the world flashes past as a kaleidoscope of events and regulations, endlessly shaken by time into ever-new configurations. The painterly language is expansive and gestural, built on soft fields and classical colour relationships, yet nervous in its contrasts of darkness and light – dazzling, destabilising, refusing to settle. OPENING PHOTO - Jānis Deinats.
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