Exhibitions
More intimate and unexplored side of the artist. Dynamics and challenges of contexts and discourses. We actively support the production of new works.
Current
Current
Current
Jānis Mitrēvics. DOLLHELL
2026
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The exhibition “DOLLHELL” admires the free fall into infinity of its complex aesthetics and the enormous speed of its story, which rushes through intuition.
The exhibition “DOLLHELL” admires the free fall into infinity of its complex aesthetics and the enormous speed of its story, which rushes through intuition.
The exhibition “DOLLHELL” admires the free fall into infinity of its complex aesthetics and the enormous speed of its story, which rushes through intuition.
Past
Past
Past
Vidvuds Zviedris. Once grass was blue and skies were green
2025
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Artist Vidvuds Zviedris is presenting himself with an ambitious range of new works - his solo exhibition ONCE GRASS WAS BLUE AND SKIES WERE GREEN is opening at Art Station “Dubulti”. “What happens to our psyche when violence becomes ubiquitous, almost mundane, when we keep seeing it and cannot stop it?,” asks Vidvuds Zviedris, who has lived and worked in America since 1995, but returned to Latvia in 2020 and has now opened his largest solo show.
Artist Vidvuds Zviedris is presenting himself with an ambitious range of new works - his solo exhibition ONCE GRASS WAS BLUE AND SKIES WERE GREEN is opening at Art Station “Dubulti”. “What happens to our psyche when violence becomes ubiquitous, almost mundane, when we keep seeing it and cannot stop it?,” asks Vidvuds Zviedris, who has lived and worked in America since 1995, but returned to Latvia in 2020 and has now opened his largest solo show.
Artist Vidvuds Zviedris is presenting himself with an ambitious range of new works - his solo exhibition ONCE GRASS WAS BLUE AND SKIES WERE GREEN is opening at Art Station “Dubulti”. “What happens to our psyche when violence becomes ubiquitous, almost mundane, when we keep seeing it and cannot stop it?,” asks Vidvuds Zviedris, who has lived and worked in America since 1995, but returned to Latvia in 2020 and has now opened his largest solo show.
Literally a Very Small Celebration . Kristaps Ancāns & Pauls Rietums
2025
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“Literally a Very Small Celebration” admires the fragile boundaries between art and design, while also touching on the soft zones where disciplines and authors — experience not only through shared materials and forms, but through mutual curiosity about everyday complexities in society.
“Literally a Very Small Celebration” admires the fragile boundaries between art and design, while also touching on the soft zones where disciplines and authors — experience not only through shared materials and forms, but through mutual curiosity about everyday complexities in society.
“Literally a Very Small Celebration” admires the fragile boundaries between art and design, while also touching on the soft zones where disciplines and authors — experience not only through shared materials and forms, but through mutual curiosity about everyday complexities in society.
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Other venues
Other venues
Other venues
Dear figure, whom did you hangout with last night?
2024 Rothko Museum, Daugavpils
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As the people endlessly analyse stories, concepts and styles, figures grow increasingly distant from one another until they end up in opposing camps. On the other hand, an emphasis on the figurality of the figure contributes to a vast and strong community of figures.
As the people endlessly analyse stories, concepts and styles, figures grow increasingly distant from one another until they end up in opposing camps. On the other hand, an emphasis on the figurality of the figure contributes to a vast and strong community of figures.
As the people endlessly analyse stories, concepts and styles, figures grow increasingly distant from one another until they end up in opposing camps. On the other hand, an emphasis on the figurality of the figure contributes to a vast and strong community of figures.
Photo story for my community
2024 Jūrmala Central Library
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On the magnetic boards one can see twenty-eight photo stories created by Jūrmala residents - the children of the Day Center and Day Care Center of the Social Services Center "Kauguri". How were these pictures made and what do they tell?
On the magnetic boards one can see twenty-eight photo stories created by Jūrmala residents - the children of the Day Center and Day Care Center of the Social Services Center "Kauguri". How were these pictures made and what do they tell?
On the magnetic boards one can see twenty-eight photo stories created by Jūrmala residents - the children of the Day Center and Day Care Center of the Social Services Center "Kauguri". How were these pictures made and what do they tell?
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